rise Up Again
Tin lightning strike twice? Movie producers certainly retrieve so, and every in one case in a while they prove they tin make a sequel that'south even better than the original.
Information technology's non easy to make a movie franchise improve — commonly, the odds are that meddling further volition just make something worse. That's why movie fans should celebrate rare events similar a superior sequel'southward release. When astonishing sequels like these come along, information technology'southward like winning the movie lottery.
The Empire Strikes Back
The Empire Strikes Dorsum had a tough act to follow afterwards the original Star Wars film premiered. How do you top the movie that changed the world and sent box role profits into hyperspace? By going deep into what makes these characters tick and not being agape to get night.
Luke gets beaten upwards over and over, we larn about the Force from Yoda, Han and Leia autumn in dear while on the run and Vader gives audiences the greatest twist moment of all time. Unhappy catastrophe, but super-happy fans.
The Godfather Part Ii
The Godfather showed Mafia members as 3-dimensional figures, non just as drawing villain characters. These people had families, children, hopes and dreams, and they'd do annihilation to protect them.
The Godfather Role Two traces the rocky rising of Michael Corleone as he's forced into some hard choices while expanding the family unit business. A parallel story flashes back to how his father Vito arrived in America and began the family'southward empire. As Vito builds the foundation in the by, Michael secures the legacy in the present. Information technology's a triumphant masterpiece.
Captain America 2: The Winter Soldier
While the first Helm America is a nostalgic look at the feel-good patriotism of WWII, Captain America: Winter Soldier takes united states of america into darker and more complex times. What is the meaning of patriotism if the authorities itself is full of traitors? What happens when friendship and duty collide?
Where the first flick was an adventure, the second plays like a conspiracy thriller with a shocking revelation at the end. The film soars past developing Steve Rogers fully and explores the conventionalities that there'due south nothing more than patriotic than doing the right affair.
Star Trek Ii: The Wrath of Khan
Star Expedition: The Motion Film underperformed. A huge budget and fantastic special effects couldn't rescue a motion-picture show everyone institute…boring. Star Trek II: The Wrath of Khan had to save the franchise. And male child, did it evangelize!
Director Nicholas Meyer interpreted the film similarly to a submarine thriller, with opposing captains playing true cat and mouse and messing with each other's heads. It features spectacular battles, incredible suspense, a scene-stealing villain and a tragic catastrophe for Spock, who makes the ultimate cede. The rousing musical score is the cherry on top.
Mad Max: Fury Road
It had been 30 years since the last Mad Max motion picture when Mad Max: Fury Route was released. Later on such a long fourth dimension, would the sequel be worth it? It was — then some.
Director George Miller poured his heart and soul into the film, and it visually feels like high fine art. At one point, a massive caravan of crazed villains chases Mad Max and friends through the unforgiving desert. 1 vehicle is outfitted with huge speakers and a guy with a flame-throwing guitar. That's how awesome this movie is.
Aliens
Aliens switched genres on fans. Whereas Alien was a haunted house horror picture in space, Aliens is a high-octane action-thriller with horror elements. More than 30 years later, it'due south still the loftier watermark of the franchise.
It has an incredible script coupled with perfect execution. James Cameron delivered a rare jewel: a hit activity pic with a female lead that expertly balances horror and humor. Ripley's motivation is dead simple: save survivors from the doomed colony, kill whatever aliens forth the style and nuke the entire site from orbit.
The Nighttime Knight
Batman Begins was a near-perfect origin story for Batman. By the time he finally puts on the cowl and cape, information technology makes perfect sense.
The Dark Knight is another creature altogether — a crime thriller that tests both the character and the very thought of Batman. At its center is the Joker, played with such terrifying anarchy by the belatedly Heath Ledger that people are still talking about the performance. Past the terminate, Batman grimly accepts that he is the hero Gotham needs, just not the i information technology deserves.
Terminator two: Judgment Day
Filmmakers take been desperately trying to make a hit followup to Terminator 2: Judgment Twenty-four hours for over 25 years. No thing what they do, they can't even come close.
It's a near-perfect activeness flick, one that takes the premise of the commencement pic and turns it on its head. What if the Terminator that was originally sent to impale you becomes your protector from something even scarier? The picture show's fast footstep, incredible action scenes and breakthrough special effects made it a nail hitting that spawned other vastly junior sequels.
Toy Story 2
When Toy Story first debuted, audiences were gobsmacked past the CGI. Information technology had never been done at this level before — it ushered in a whole new era. From then on, that was the level of quality that audiences would await from an animated movie.
Toy Story 2 expanded on the original past exploring heart-wrenching themes similar abandonment, purpose and ways to find meaning in life after devastating loss. Just try not to cry watching Jessie's backstory. Toy Story 2 showed that even for toys, broken hearts could be healed.
The Silence of the Lambs
Hannibal Lecter originally debuted played past Brian Cox in a Michael Mann picture show chosen Manhunter. The picture show was a modest success. Merely The Silence of the Lambs inverse the game.
Anthony Hopkins gave u.s. an unforgettably creepy version of Hannibal Lecter that people volition be quoting until the end of time. The cryptic relationship that develops between Dr. Lecter and FBI amanuensis Clarice Starling is the emotional tightrope of the story. Even though Buffalo Beak is supposed to be the big bad guy, it'due south Lecter who's the virtually terrifying.
National Lampoon'south Christmas Vacation
Poor Clark Griswold is a victim of his own ridiculously high expectations. In the first Vacation film, his quest for the perfect road trip causes disaster at every plough. In Christmas Holiday, Clark unwittingly ruins Christmas every bit well.
And it's the funniest thing role player Chevy Chase has ever done. One catastrophe is scarcely over earlier another piles on top of it, and by the end, Clark Griswold is wound upward so tight he snaps spectacularly. Audiences liked Vacation, merely they loved Christmas Vacation and are however watching it every vacation flavour.
Ant-Human being and the Wasp
Paul Rudd'southward comedic lowest portrayal of a diminutive superhero in Ant-Man proved to be a surprise hit. Combining the heist formula with comedic elements resonated with audiences and was a refreshing plough in the Marvel universe.
Ant-Man and the Wasp expands on the successful formula and becomes a lightning-paced superhero adventure that marries equal parts heist, chase and comedy. It's never a tedious moment as Emmet-Man and the Wasp race confronting the clock to save Janet van Dyne from the breakthrough realm while remaining one step ahead of the bad guys.
Die Hard
Frank Sinatra originally played the John McClane function (and so called Joe Leland) in The Detective in 1968. Die Hard was based on the screenplay adapted from the novel "Aught Lasts Forever," which was the sequel to "The Detective."
Only the managing director wanted more action, then writers changed major elements of the screenplay. The end result is non simply an action classic but is also one of the all-time alternative Christmas movies of all time. No ane remembers The Detective, but anybody knows "Now I have a machine gun. Ho. Ho. Ho."
X2: X-Men United
Information technology'southward hard to believe, simply at the time, no 1 was sure that a team superhero motion picture would work. Long before the Avengers era, at that place was 10-Men. It was a modest superhero movie by today's standards, but it paved the manner for bigger epics.
X2: Ten-Men United built on the original premise with more confidence. Professor Ten and Magneto squad upward to stop a sinister plot to impale mutants everywhere. The movie was a rousing call against racism, and fans loved seeing a superhero team reach its full potential.
Goldfinger
James Bond was still relatively new to the movie-going public back in 1964, merely they knew even back then how to spot a winner. Goldfinger was Bond's third cinematic outing, and in many ways, it cemented how we think of the classic character today.
Goldfinger standardized many of the classic James Bail tropes: the womanizing, the gadgets, the i-liners, the bigger-than-life villain, the shaken-non-stirred martini and, almost of all, Sean Connery. A quintessential Bond story, Goldfinger remains the highest-rated sequel in the entire sprawling franchise, according to Rotten Tomatoes.
Spider-Man 2
The original Spider-Human being was a huge hitting. A archetype origin story, audiences flocked to see a hero that — afterward decades of waiting — had finally received the big-screen treatment.
Spider-Man 2 borrowed its plot from a scattering of his popular comic book stories and gave audiences a daunting villain for Spider-Human to conquer. The story shines and is at its all-time when Spider-Homo, despite it all, has compassion for even his most deadly enemy. Fifteen years later on, many fans still regard this one as the all-time motion-picture show in the ever-growing franchise.
Evil Expressionless 2
Evil Dead was Sam Raimi'due south breakout horror hit, but he did it on the cheap. Forced to piece of work within a tight budget, Raimi used ingenious techniques to heighten the film, such as "shaky cam" and shooting from the indicate of view of the evil deadites.
Evil Dead ii is not really a sequel — information technology's a total remake. Raimi took the same story and shot it once again with a much bigger budget. The result is a ridiculous blend of in-your-face horror and slapstick one-act that fans will love until the cease of fourth dimension.
Harry Potter and the Prisoner of Azkaban
As a flick franchise, the Harry Potter story was already a hitting. But director Alfonso Cuarón took 18-carat risks with the source material. Putting the students in street apparel and pushing the story towards horror and suspense, Harry Potter and the Prisoner of Azkaban became the film that paved the fashion for its darker sequels.
For many fans, it's still the all-time film of the series. It has something for anybody: violent copse, fantastic beasts, a magical map, time travel, shapeshifting villains, crazy plot twists…y'all know, Harry Potter stuff.
Fear and Loathing in Las Vegas
Fearfulness and Loathing in Las Vegas (1998) wasn't the offset attempt at a cinematic story featuring Hunter Due south. Thompson. That honor goes to Where the Buffalo Roam (1980), in which Pecker Murray deftly played the Thompson role.
Depp'south version of the soused character was a trivial more flamboyant. And although Fear and Loathing didn't practice well at the box office, it afterward became a huge cult archetype. What's not to like about total dedication to hedonism experienced through the lens of a counter-culture announcer with an intimidating vocabulary?
Superman 2
Superman inverse the game when it proved to the world that comic book fare could translate into box part bucks. It didn't hurt that Christopher Reeve was built-in to play the role.
Superman Two gave Superman bigger obstacles to conquer. What if he came up against three supervillains that had the same powers he had? As Superman'southward romance with Lois Lane blooms, the evil trio plots a takeover of the planet. It all culminates in a spectacular brawl in New York City and the Fortress of Solitude, where Supes finally turns the tables on them.
The Practiced, the Bad and the Ugly
Fifty-fifty if y'all don't know the moving-picture show, yous know the whistling theme song. The Good, the Bad and the Ugly became the movie synonymous with both Clint Eastwood and great westerns. Information technology's still considered amongst the best.
Ane of the signature elements of the picture show'south flair is sequences without dialogue. The real reason for this is that manager Sergio Leone had a smaller budget for this ane and was shooting on the cheap. But this added to the gritty ambience of the flick that modern westerns are still measured confronting.
Thor: Ragnarok
The Marvel cinematic universe is a project of a telescopic that has never been seen before — or since. With 23 movies and counting, it's an embarrassment of riches. So what makes Thor: Ragnarok and then special?
Mainly, it throws the gravitas of the titular character out the window and reinterprets the serious franchise as a comedy. Chris Hemsworth was made for laughs, and it'due south as if the writers finally figured it out. Audiences loved the Odd Couple-style humor of Thor and Hulk as they rampage their mode through Sakaar and Asgard.
Mission Impossible: Ghost Protocol
You have to hand it to Tom Prowl. Say what y'all want well-nigh him, but he knows how to do great activity films. And he's had the broken bones to show it. At an age when about male actors are opting for dramas, Prowl simply doesn't dull down.
Mission Impossible: Ghost Protocol felt like a reboot of an already successful franchise, breathing fresh energy into the adventures of Ethan Hunt. Taking the best of the previous movies and remixing information technology into a loftier-stakes action masterpiece, Ghost Protocol became the new standard for undercover agent popcorn films.
Dawn of the Dead
We can thank George Romero for the being of zombie movies as an unabridged genre. Night of the Living Expressionless popularized zombies among modernistic audiences and paved the way for the gazillion zombie stories that followed.
Dawn of the Dead was the movie that brought zombies out of old, decrepit houses and into modernistic settings — like an American shopping mall. While the zombie effects are lame by today's standards, the storyline of heroes making a fortress out of whatever they can find has go a standard trope of the genre.
Logan
Is it really possible that an X-Men movie can brand u.s.a. weep this much? Yes, and then some. Logan was a daring R-rated dramatic sequel to both the X-Men franchise and the spin-off Wolverine movies.
Hugh Jackman plays a mutant whose power is waning and who finds himself as the unwitting protector of both Professor X and an orphan daughter who has about the same abilities he has. Making it his mission to brand sure she gets to a safe haven, Logan is a heartbreaking send-off to the Wolverine grapheme and a masterpiece in its ain correct.
Hellboy ii: The Aureate Army
Whatever picture director Guillermo del Toro tackles has an incredible visual style, and Hellboy Ii: The Golden Army shows just what he tin can do with the proper budget. For the sequel, Hellboy is less in our earth and more than in the magical realm beneath information technology.
Audiences already loved Hellboy, simply the sequel created a supernatural universe then vivid and detailed people came back for more. Is information technology weird to have a proficient-guy demon squad upward with an amphibious fish-homo, a gaseous German and a combustible honey interest? Yep, and information technology's crawly.
The Bourne Ultimatum
It'south rumored that producers were forced to reboot the Pierce Brosnan James Bail films because the Jason Bourne franchise reinvented the spy pic. Watching them over again, it's easy to see how this could be the example.
The film strives for realism and inventiveness at the same time. Accurate-feeling control rooms with bureaucratic spies combine with loftier-octane scenes in which someone is beaten senseless with a household item like a book. The Bourne Ultimatum takes the best elements of the previous films and tops itself in both style and story.
Helpmate of Frankenstein
In Frankenstein, Boris Karloff embodied the role of Frankenstein's monster and then well that no actor since has come up close. Back in 1935, people lined upwards for the sequel, having no thought information technology would be fifty-fifty ameliorate.
Helpmate of Frankenstein resurrects both Frankenstein and his monster, which were seemingly dead at the end of the beginning picture. Here, Dr. Frankenstein is blackmailed by an even crazier scientist into creating a female companion for his monster. The look of the female person creature has become iconic — and the catastrophe a total heartbreaker.
Dawn of the Planet of the Apes
It seems unlikely that Planet of the Apes would discover audiences in its second reboot. But a modern take on the tale of super-intelligent apes resonated and showed united states of america the best and worst the human race has to offering.
Dawn of the Planet of the Apes fast-forwards to a world where humans are an endangered species and apes reign supreme. Though Caesar tries to forge peace with humans, his noble efforts are undermined by rogue elements. The story is a meditation on war, peace and the limits of compromise.
The Lord of the Rings: The Return of the King
Even though it has a dozen endings too many, Return of the King is still one of the best fantasy films ever made. This is the tale that culminates in the last ballsy battle for the fate of Middle Earth.
Beyond the magic and fighting is the chirapsia heart of the story: Frodo and Sam'due south arduous journeying to destroy the ring to both deliver the realm from evil and save Frodo's soul. The stakes couldn't be college, and director Peter Jackson pulls out all the stops for the climactic stop.
Source: https://www.smarter.com/fun/sequels-rise-above-originals?utm_content=params%3Ao%3D740011%26ad%3DdirN%26qo%3DserpIndex
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